Lot 611: Betye Saar, (American, b. The Liberation of Aunt Jemima, 1972, Betye Saar I've never known or met and artist who didn't have at least a passing interest in thei... Sept 15-2016-Jan 8 2017 Fondazione Prada presents 'Uneasy Dancer', a comprenensive survey of the work of Betye Saar (Los Angeles, 1926). 1966 Prints and Drawings, Ankrum Gallery, Los Angeles, CA. 1926), UNTITLED. Titles include: Magnolia Flower * Mother Catherine * High John De Conquer * The Conscience of the Court * The Bone of Contention * Now You Cookin'' with Gas. Wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine. Knowledge-Evil-Wisdom. Betye Saar (American, b. signed Betye Saar, titled and dated (verso) Titled in watercolor, lower left recto. 17-3/4 x 10-1/2 x 1 inches, Green Vision at the Villa Betye Saar 18-1/2 x 13-1/2 x 2-1/4 inches, Eye of the Beholder about the unknown Estimate: Betye Saar 1926)Bookmarks in the Pages of Life by Zora Neale Hurston, 2000one volume with six serigraphs on handmade paper housed in a brown linen clamshell case 11-1/2 x 15-1/2 inches (one volume)signed and numbered in pencil on colophon page 120/300 375x286 mm; 14 3/4x11 1/4 inches, full margins. Betye Saar conjures a new mythology at MoMA The artist’s prints and assemblage works use symbolism to ascribe meaning to Black women’s place in the world Condition Report: Estimate: ... installations, prints and drawings, and will include a comprehensive overview of Saars artwork, exhibition history, detailed provenance, and bibliography. Alison, 1963 Description: Lot 55: BETYE SAAR (1926 - ) Turtles Lament. 1926) Untitled, 1965 color etching signed and dated in pencil in the margin 4" x 5.25", Description: 381x394 mm; 15x15 1/2 inches. The Anthony and Davida Artis Collection of African-American Fine Art, Flint, Michigan Smeared pale surface soiling on underside (possibly working method of artist). collage on paper $5,000 - $7,000. 22.25 x 22.25 in (56.5 x 56.5 cm). mixed media Lot 29: BETYE SAAR (1926 -) Turtles Lament. She began by inserting her own prints and drawings into window frames, as with Black Girl’s Window, an iconic autobiographical work that also signaled a new interest in addressing race and contemporary events in her art. BETYE SAAR (1926 - ) Mystic Flag. A pioneer of second-wave feminist and post­war black nationalist aesthetics, Saar began her career in design before transitioning to assemblage and installation. Artist's proof, aside from an edition of unknown size. Signed in pencil, lower right. Estimate: The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Description: High John de Conquer, The Bone of Contention, and Magnolia Flower. ; Sheet Size 25 7/8 x 20 in. may hold the answers. That thread is a curiosity about the mystical. But I like to think that I can try.”3, Introduction by Esther Adler, Associate Curator, Department of Drawings and Prints, and Nectar Knuckles, Curatorial Fellow, 2019. Very good condition. $7,000 - $10,000. Email Condition Report: 279x210 mm; 11x8 1/4 inches (sheet). Color Etching and Aquatint. Betye Saar, "There Will Be Blood," 2011. or transmitted in any form or by any means, electronic $1,000 - $1,500. Free to create. Grandma's Garden 1926) Mixed media assemblage box, (including glass, acetate sheet, flashlight cubes, a doll's head and an etching by the artist), circa 1965-70. It's a way of delving Signed, titled, dated and inscribed "Artist's Proof" in pencil, lower margin. Lot 173: Betye Irene Brown Saar (1926-* Los Angeles, CA). Hoo Doo #7 an inner spirit is released. 406x241 mm; 16x9 1/2 inches. This etching was also used in the 1966 assemblage The Phrenologer's Window, and in other assemblages by the artist. With pale moisture staining at the edges (the wood slightly darkened in striated patterns but not on top or bottom). Condition Report: Signed dated, edition: 100, 10 artist's proofs, 2 printer's proofs Color screenprint, 1999. Framed behind acrylic measuring 14 x 12 x 2 inches. 1926) Hoodoo #4, 1992 multi-media assemblage (double-sided) 7.5" x 5.5", Description: $10,000 - $15,000. Survival of the Spirit Image: 1. combining the remnant of memories, fragments of relics and ordinary Description: Description: Description: Founded in 1989, Michael Rosenfeld Gallery is recognized for modern & contemporary art. Framed in a unique 'african' style carved wood frame with glass glazing. Every lot is sold as-is. 1926) Woman with Two Fans, 1991. 218 Learn how to teach The Liberation of Aunt Jemima by Betye Saar with art interpretation, discussion questions, video, learning activities, and art projects. But it won't make it to L.A. Betye Saar – Mystic Sky with Self-Portrait. 181x232 mm; 7 1/8x9 1/8 inches (sheet). Artist's proof. Lizetta LeFalle-Collins (Fresno, CA: Fresno Art Museum, 1993), 29. 1926)/span UNTITLED Signed and dated 1976 in marker on the underside, wood cigar box with screenprinted labels adhered to the top and undersides, containing mixed media/assemblage 1 1/2 x 8 x 6 1/2 in. BETYE SAAR (1926 - ) Untitled (Phrenology Box). screenprint in colors on wove paper, 1998, pencil signed, dated, marked as artist's proof and numbered lower margin, printed by Alliance Graphics, Jos Sances, Berkeley, California, with full margins, unframed. 151-52 Saar eventually studied printmaking, and her earliest works are on paper. Palms and palmistry charts would go on to be a common subject in Saar's work throughtout her career. BETYE SAAR (1926 - ) Hand Book. 362x457 mm; 14 1/4x18 inches, full margins. Please. Provenance: Ankrum Gallery, Los Angeles, with the label on the frame back; private collection, Los Angeles. Artist's proof, aside from an edition of unknown size. Lot 180: Betye Saar Untitled Color Serigraph, Lot 198: Betye Saar (b. 606x381 mm; 23 7/8x15 inches, full margins. 343x178x95 mm; 13 1/2x7x3 3/4 inches (including base). 1972 BETYE SAAR (1926 - ) The Wounded Wilderness. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. $1,000 - $2,000, Description: 30, No. Saar has since repurposed washboards, jewelry boxes, and racist ephemera as a way of reclaiming images and artistic power. Signed and dated in watercolor, lower right recto. Our site uses technology that is not supported by your browser, so it may not work correctly. Artist's proof, aside from an edition of an unknown size. art itself becomes the bridge. 14 x 11-1/8 x 1-3/4 inches, The Search for Solitude Provenance: private collection. Oil on cotton canvas, 1968. 13.5 h × 11 w × 1.25 d in (34 × 28 × 3 cm) Condition reports are available from Rago upon request. 19 1/4 x 13 in. For further information on this lot please visit the Provenance: private California collection. A scarce work circa 1963. 24, 3B, a Hampton University publication, p. 57. Exhibited: Estimate: "Takin' A Chance On Luv" Pigment print. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Proof, aside from an edition of unknown size. Lot 73: BETYE SAAR (1926 - ) Reverie Vert. Signed and inscribed "To Ruby and Ossie with love" and "A/P 5" in pencil, lower margin. Etching and drypoint printed in brown ink with hand coloring on cream wove paper, 1964. $1,200 - $1,800. 20 best images about Betye Saar on Pinterest | Vintage suitcases ... Betye Saar's retrospective is travelling from the Museum Het Domein in the Netherlands to Scottsdale, Arizona. Here Saar makes a composite image from two plates printed side by side. Betye Saar James Hughes and Robert W. Franklin Please email us at: VallotsAuctioneer@gmail.com for a detailed condition report or requests for additional photographs. Condition Report: Your email address or password is incorrect. History and experiences, emotion and knowledge travel across time and back again, linking the artist and viewers of her work with generations of people who came before them. The serigraphs are bound into the pages of the book. For her best-known work, The Liberation of Aunt Jemima (1972), Saar arms a Mammy caricature with a rifle and a hand grenade, rendering her as a warrior against not only the physical violence imposed on black Americans, but also the violence of derogatory stereotypes and imagery. Los Angeles 1972: A Panorma of Black Artists, Los Angeles County Museum of Art, February 8 - March 19, 1972; 127x332 mm; 5x13 inches. I realized that by changing the function of an object, I could transform information and magic." The Betye Saar Catalogue Raisonn_ Project + Archives is an ongoing commitment to documenting the artistic practice of Los Angeles artist Betye Saar.

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