(Page 157 from Robert Hughes book Goya, Knopf, 2003) "The 'White Duchess' was the one [painted] for semipublic consumption. The dog also wears a red ribbon on one of its hind legs. The same red is repeated in the bow on her cleavage, in the double row of red coral beads around her throat, in the five-petaled silk bow in her hair, and– not least– in the sweetly parodical red bow her living accessory, a little long-haired creature of the breed known as a bichon frise [Note: Jenny in New Zealand pointed out via e-mail that this is not a bichon but a lowchen], bears on its right hind leg. English visitors to the Spanish court often expressed their consternation at the relaxation of etiquette that high-born wealthy women enjoyed. It portrays María Cayetana de Silva, 13th Duchess of Alba, and is one of a number of portraits Goya painted of her around this time,[1] and is usually compared alongside the similarly sized but tonally very different Black Duchess, which was painted two years later, just after her husband, José Álvarez de Toledo died aged 39. The White Duchess is a life sized (192 x 128 cm) oil-on-canvas painting by the Spanish artist Francisco Goya, completed in 1795 and now in the collection of the Duchess of Alba, Madrid. She is the mother of Marie, Berlioz, and Toulouse. The ambitious driver for a rich Indian family uses his wit and cunning to escape from poverty and become an entrepreneur. [3] She is presented with affection as a great beauty, and an engaging woman of wit and education. and shade play upon atrocious horrors." He held the Black Duchess in his possession for at least 15 years. From Charles The Duchess of Alba was particularly well known for charm and willfulness and one of Goya's earliest references to her, in a letter to Zapater, describes how she persuaded him to make up her face: 'you'd be better off coming to help me paint the Alba woman, who yesterday came to the studio to make me paint her face, and she got her way; I certainly enjoy it more than painting on canvas, and I still have to do a full-length portrait of her.' Her left arm is adorned with golden jewelry, placed at her wrist and above her elbow. "From this headlong seizure of life we should not expect a calm [7], José Álvarez de Toledo, Duke of Alba, 1795. de Silva's husband and a cultivated patron of the arts, Detail showing the inscriptions in the sand, María Cayetana de Silva, 13th Duchess of Alba, The Woman in White: Goya's first portrait of the Dutchess of Alba, The Holy Family with Saints Joachim and Anne, Manuel Osorio Manrique de Zúñiga (or Red Boy), Portrait of the Marchioness of Santa Cruz, Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón, The Ministry of Time – Episode 25: Time of the Enlightened, https://en.wikipedia.org/w/index.php?title=The_White_Duchess&oldid=969325276, Articles with unsourced statements from October 2018, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 July 2020, at 18:56. extraordinary mingling of hatred and compassion, despair Signup. and sardonic humour, realism and fantasy." The Duchess. "Goya Her full name was Maria del Pilar Teresa Cayetana de Silva Alvarez de Toledo, duchess d'Alba. Check out our white duchess selection for the very best in unique or custom, handmade pieces from our shops. Based on the bestselling novel. Britain's National Health Service says about one in eight pregnancies in which a woman is aware she is pregnant ends in miscarriage. [4] Art Historian Janis Tomlinston wrote in 1994 that "no matter how liberal a patron she might have been, it seems unlikely that she would have accepted a portrait that so mercilessly emphasized her pride and hauteur". 439 Followers, 335 Following, 139 Posts - See Instagram photos and videos from Thewhiteduchess (@the.white.duchess) She died of tuberculosis and dengue fever. is always a great artist, often a frightening one...light And the fact that the duchess is attired in flowing white Neoclassical-style rode, probably of Bengal muslin, also attests to Goya's interest in English Neoclassicism: he is known to have made, during the 1790s, copies after engravings by John Flaxman." Ride or Die. It portrays María Cayetana de Silva, 13th Duchess of Alba, and is one of a number of portraits Goya painted of her around this time, and is usually compared alongside the similarly sized but tonally very different Black Duchess, which was painted two years later, just after her husband, José Álvarez de Toledodied a… The painting is composed from white, red, blue and brown pigments,[3] but is mostly, according to Hughes "built around two themes, red and white", with the other major colour being black, represented by her dark curly hair.[2]. foreword by Aldous Huxley to THE COMPLETE ETCHINGS OF GOYA (1962). Login. He was receptive to all shades of feeling, and it was his extreme sensitivity as well as his muscular temerity that actuated his assaults on the outrageous society of Spain." have found expression only in preaching or suicide." From the From a letter to (spanish) Duchess Colonna from the French Want to … “Losing a child means carrying an almost unbearable grief, experienced by many but talked about by few,” Meghan wrote. The commission is first mentioned in a letter dated August 2, 1794, written to his friend Martín Zapater, which mentions that Goya that had been asked to paint life-sized portraits of the Dukes of Alba. [3] Because she was so highly respected and known to have a forceful personality, it is thought she had a strong influence on the final depiction. Clearly, Goya had been inspired– though not to the point of servile copying– by English modes of portraiture that he would have seen in reproduction, in the print cabinet of Sebastian Martinez: the lady of quality seen in a landscape with her attendant dog had often been painted by Romney, Gainsborough, and Reynolds. 1 of 6 FILE - Prince Harry and Meghan, the Duke and Duchess of Sussex arrive at the annual Endeavour Fund Awards in London on March 5, 2020. Work Overview The White Duchess Artist Francisco Goya Year 1795 Medium Oil on canvas Dimensions 194 cm × 130 cm (76 in × 51 in) Location Collection of the Duke of Alba The White Duchess is a life sized (194 x 130 cm) oil-on-canvas painting by the Spanish artist Francisco Goya, completed in 1795 and now in the collection of the Duchess of Alba, Madrid.

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